' But also, it’s strong, it holds everybody in,' the Elder and cloak maker says. When she’s asked how the cloak feels to touch, Aunty Titta says its warm. Stories of individuals-one man’s designs spoke of his travels between western district towns for work, to visit his daughters. Stories of Country and of place, of brolgas reclaiming habitat, of cockatoos and kangaroos. With wire-nib burners they told stories of cultural practice. Twenty-six adults and 11 children created the new designs. The new cloak is not only a patchwork of pelts, but of stories too. ![]() Fifty pelts were stitched together for the historic Gunditjmara cloak. ![]() Long semi-circular cloaks were fastened with a cord or a brooch. It means their pelts provide better insulation than kangaroo, better protection against the rain that falls and Antarctic winds that blow on Gunditjmara Country.īut being smaller marsupials, many pelts are needed to craft an adult-sized possum skin cloak. We’ll focus on hooded Medieval cloaks and capes, fabrics and colors. Dalmatian Patterned King Cape CostumeStoredetr (4) 25.49 42. These new cloaks tell the contemporary Gunditjmara stories-stories which will be passed on down generations to come.Ĭurator Kimberley Moulton at a community workshop in Heywood to make the contemporary Gunditjmara cloak. So with a smoking ceremony on the last day of May to cleanse the cloak and space, the Lake Condah cloak was brought out of storage and took the Yorta Yorta cloak’s place in public view.Īnd, alongside the historic, the two recently commissioned cloaks. We have now in stock a full line of Capes and Coats of every kind of fur worn. It was also time for new stories to be told. No old pass qarments on sale in our Cloak Room or on exhibition in our. By 2019, the time came for it to be taken into storage for restoration. The Yorta Yorta cloak was on display from 2013. They are the only known surviving cloaks in the world of their time and place. ![]() Many terms like Mantles, mantelets, cloaks, capes. The museum’s two historic cloaks were collected from the Yorta Yorta people of north-eastern Victoria in 1853 and the Gunditjmara people at Lake Condah in 1872. An introduction to the names possible for coats and cloaks often confusing to the costume beginner. 6203 (not knitted or crocheted) was 2,991.41K and quantity 51,271Item. 'The markings were not just pretty patterns, they were deep, meaningful, iconography of Country, of totem and of place.' Bosnia and Herzegovina exports of Coats mens or boys, overcoats, raincoats, car-coats, capes, cloaks and similar articles, of man-made fibres, other than those of heading no. Traditionally, people were buried in their cloaks. In this way, with time, a cloak became more than an item of clothing-it became a 'marker of identity'.Īnd if possum pelt was the first material object an infant might touch, the luscious fur would also be their last. Designs that chronicled the cloak wearer’s journey, their connection to Country and to family. Designs carved with bone awl or shell engraver, rubbed with animal fat and coloured with ochre. As a cloak grew, designs on its skin-side became more elaborate.
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